"In their [Stroheim, Murnau, and Flaherty's] films, montage plays no part, unless it be the negative one of inevitable elimination where reality superabounds. The camera cannot see everything at once but it makes sure not to lose any part of what it chooses to see."
"Stroheim is the creator of a virtually continuous cinematic narrative, tending toward permanent integration with all of space."
(Bazin)
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